Mandingo And Black Womens

MAXXI and ragged

"Do not throw anything away." Which is a bit 'key philosophy of arte povera. "Not enough space for young people." What is a bit 'art nostrana cancer, and in the broad sense of the entire cabin popular national.

So what better way could have chosen the MAXXI, to talk back, to dive sites that lie between the animate than to propose un'epocale retrospective of the work of the ancient Michelangelo Pistoletto, better known as "the man that prevents you from watching the film at the cinema because of its voluminous hairstyle tragically right there in front of you, "the Italian art. Yes, there was a veiled criticism here.

The point is that every Italian museums will never be complete without a display worthy of the glories of art poor, who for decades this movement, the mid-sixties, has pumped blood for our art scene with undeniable charisma, but now represents a burden for the younger generations and inhibited. So our
Art Museum of the XXI century has inaugurated last March 4, a monumental exhibition on the master that Pistoletto browse through catalogs from 1956 to 1974, incorporating that time he has seen the poor art as artists from all stages of dominatrix the world and going over the issues of the liveliest production pistolettiana.
Then find the number of rags, the apotheosis of the philosophies of reuse, including the wonderful Venus (we never expressed disdain for the work Pistoletto, it is clear, in fact far from it), rather than the metaphysical mirror paintings, promised in an amusement park setting where you can lose all physical and material knowledge.
The exhibition, curated in collaboration with the Philadelphia Museum of Art, MAXXI will remain until August 12 and if we are talking about here is not only to return to make critical choices about cda MAXXI designed to fossilize in the past a ' institution created to look to the future, but also and above all to provide you with ideas to foster an awareness of what can still be part of a cultural colossus that after having ridden the wave for centuries has come to the third millennium still with their heads held high to beggars Arte Povera, and not just (let's not forget the magnificent movement of the Trans founded in '79 and the latest generation of artists "immoral"). For the rest, maybe in the coming months those nostalgic for the Volkswagen van at the head of Graziano MAXXI us attention to new promises as Italian Daniele Galliano or Maurice Cannavacciuolo (quotes from arrogance never without).